The Top 20 Albums & Best Wrok of 2018 Playlist

An albums girl living in a playlist world, I listened to more records this year in comparison to the last few years. I also spent more time discussing music (with a bunch of like-minded reprobates over Whatsapp) than I’d ever done before. It was the year that classical crossover and millennial power pop stood out for me. If they keep making music this good I’ll gladly hand over the keys to our Young Overlords. Also, the mish-mashing of everything from genres to grammar just worked. Janelle Monáe combined Vaginas, Sci-Fi and Prince in a landmark R&B infused pop-operatic statement. Let’s Eat Grandma mashed up everything from the Oxford Comma to Pink Floyd-meets-the-Spice Girls. In terms of things being turned upside down, thank goodness for music, because the world is a mess.

There was so much of it this year that I’ve made a Top 20 list to avoid leaving out some of the incredible new releases. My yearly playlist is at 60 tracks vs the recommended 30 (my own rule, I get to break it), which makes just under four and a half hours of this year’s personal musical highlights available on Spotify, Apple Music, Deezer and other platforms:

And that brings me to the Top 20 Records of 2018 list:

1. Let’s Eat Grandma – I’m all Ears

I never thought my record of the year would be made by teenagers. Time and again I returned to this duo’s brave pop experimentation, which takes inspiration from the listener’s expectation of what two nineteen-year-old girls can do, and smashes it. The rapturous highs and lows of this album range from confrontational to vulnerable, all while defying genres. From start to finish it’s bold and adventurous. I’m all Ears is an extraordinary record that doesn’t sound like anything else out there.

2. Janelle Monáe – Dirty Computer

Dirty Computer is a spectacular, honest body of work that dares to occupy all positions – playful and provocative, pansexual, powerful, and iconic. In a time so clouded with double meanings, Monáe’s fearless conviction is a beacon. Nevermind smashing the patriarchy, this is a black woman calling bullshit and taking the power back while she’s dancing.

3. The 1975 – A Brief Inquiry Into Online Relationships

An unapologetically positive record, A Brief Inquiry Into Online Relationships is the antidote to Brexit and Baby Boomers. It flies high in the in the face of the depressing current political landscape, equipped with sparkling crisp lyrics and buzzing beats throughout. It’s got something for everyone and is an optimistic testament to new beginnings.

4. Niklas Paschburg – Oceanic

Paschburg’s debut is a gentle record that is as much of a slow burn as an ambient meditation. It occupies an interesting space in the growing classical crossover genre, with more pop influences in the instrumental song structures than his peers. It’s the most beautiful record I’ve heard all year.

5. Hookworms – Microshift

Microshift is a constantly moving, driving and pushing electro-psych masterpiece. The dynamic record captures an urgent tone while floating synths alongside unexpected time signatures, bursts of noise and declarative pop hooks. At times it feels like it could go anywhere, but with intense focus. A pinnacle of art-rock.

6. Anna Calvi – Hunter

On this gloriously badass record, Anna Calvi slams the notion that strength is masculine. It’s classy, fierce rock that is wildly ambitious and delivers with dreamy cinematic abandon. She sensualises and reframes predation in a manner that is liberating for women. A tour de force.

7. Boy Azooga – 1, 2, Kung Fu!

An explosive album that rolls in and chews on, serving a taste of inspiration from just about every genre. It’s a garage-rock disco slacker soul record that feels like an adventure, discovering new sounds and depths with childlike wonder in every listen.

8. Young Fathers – Cocoa Sugar

Experimental indie at its core, this is a challenging and rewarding record. From speed-rapping to krautrock, the combination of alternative ideas with sharp and focused songwriting from the Edinburgh trio has an unsettling yet shimmering effect. Groundbreaking, dark hip-hop infused pop that speaks to the times.

9. Big Red Machine – Big Red Machine

A collaboration between Bon Iver’s Justin Vernon and The National’s Aaron Dessner sounds like a dream come true, and indeed this is an album to get lost into. Along with a host of guests, they create soundscapes that feel ethereal and warm while experimenting with odd time signatures, instrumental effects and choral melodies. It’s a minimalistic and introspective record that is experienced rather than consumed.

10. Preoccupations – New Material

Post-punk has never been this trippy, even though Preoccupations are a band comfortable in the bleak shadows. This is a gritty and euphoric record that marches forward relentlessly, hitting the listener with changes in pace, noise and bright production.

11. Caroline Rose – Loner

A buzzing glitter party of a record that bubbles with wit, multi-instrumentalist Rose switches gears between considered and trashy with the catchiest of melodies. From pop synths to surf-rock guitar riffs, it’s adventurous and carefree. Caroline Rose is wild and this is the most fun album on this list.

12. Car Seat Headrest – Twin Fantasy

Will Toledo aka guitar genius of this century redid a previous (2011) release with a full band and better budget, and it’s bliss. The queer powerhouse nails awkward angst with killer riffs and deft songwriting about depression, meditation and coming of age. It’s lo-fi and slick, with layered guitars and muddy production in all the right places.

13. Lucy Dacus – Historian

Lucy Dacus is a classy lyricist and master of the slow guitar buildup. On Historian she’s both serious and subtle, ruminating on the relationships that form our stories. A pensive and mature slow burn of an album that washes over you with Dacus’ effortless vocals and intoxicating melodies.

14. Wye Oak – The Louder I Call, the Faster It Runs

A yearning, dream-pop album that buzzes with guitars and engulfs the listener in synths. Wye Oak have written laid-back folk earworms as well as the most cathartic guitar solo of the year on “Lifer.” A self-conscious record that dazzles.

15. Kurt Vile – Bottle It In

Bottle It In is this generation’s warm hug of Americana. Vile’s thoughts and loose guitar tumble from the mundane to melancholic, always with a smile. Comfortable stoner rock at it’s most emotional.

16. Bill Ryder-Jones – Yawn

This record is the beautiful sound of surrender. Indie and lo-fi, the earnest singer-songwriterness is met with wailing guitars and Ryder-Jones effortless vocals. A touching personal album that permeates sadness and bares our defeated human conditions.

17. Jonathan Wilson – Rare Birds

A sprawling, ambitious collection of influences with imagery that would be well suited to a soundtrack. Between Wilson’s pop melodies, the synths and glowing production it’s a generous rock record and a thoroughly enjoyable listen.

18. Haley Heynderickx – I Need to Start a Garden

From the spelling of her name to the stream-of-consciousness lyrics, this is a quirky AF album and an incredible debut. Heynderickx’ goes from finger picking to full-on Nirvana grunge, accompanied by a trombone. Vulnerable, wise and playful indie-folk, It’s jammed with earworms and lyrical gems like “she’ll never get to eat you like your heart’s a pomegranate.”

19. MØ – Forever Neverland

A masterpiece of electro-pop with a layer of strawberry lip gloss, Forever Neverland is a confident banger of a record from a blossoming artist. It’s a treat that mainstream pop is this indie because I’m all about that lo-fi bass.

20. Ovlov – TRU

An energetic and distorted collection of bubblegum hooks, this juggernaut punk rock record has a rainbow heart and majestic shredding guitars that make my ears rejoice.

Other stand out albums of the year that would have been a top-30ish include Son Lux, Low, Rhye, Soccer Mommy, Gaz Coombes, Villagers, Amen Dunes, Blood Orange, Mitski, Oh Sees, Miya Folick, Kacey Musgraves, Olafur Arnalds and Middle Kids.

Merry Christmas, happy birthday (to me) and have a great new year friendly people of the Internet. At last, 2018 is almost done.

 

 

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The 10 Best Records & Wrok’s Best of 2017 Side B

When I joked (badly) in January that this Chinese year of the Rooster is really just the Year of The Cock, I had no idea. There were so many great songs for the last part of the year, and not even from all the big bands or artists that you’d expect. In-between all the political, economic and climatic mayhem there was some sensible music being made.

Trends for the year include hearing amazing female vocals everywhere I listened and a return to “solos” in pop songs (guitar solos for sure, but other instruments too). Trumpety-trump proved to be a strong influence, adding a whole new chapter to the history protest songs. Everyone from Arcade Fire & Mavis Staples to Billy Bragg took a stab from across the pond, not to mention all the angry music (see Best Of Albums list). On the Side B playlist, the orange man gets a cameo on “House Cat,” and is summarily dismissed by a nonchalant Mark Kozelek (as a cat). But that’s just one of the 2.5 hours of my favourite tracks from July-December 2017. Let’s all hit shuffle and go on holiday.

1. The National – Sleep Well Beast

The National really are at the top of their game, and this album seems so effortless and smooth, I’d like to inhale it. They struggle though, and the intensity with which they wrestle their creative beasts are so pleasing and intoxicating. There’s absolute harmony and discordancy at work here, as well as really intimate lyrics. The record features the band’s first real guitar solos (there are two and they’re glorious).

2. LCD Soundsystem – American Dream

The most brilliant record released this year to be met with equal and opposite amounts of scepticism. It’s one of their best to date and is overshadowed by their previous work. I only discovered LCD Soundsystem late anyway, but to me, this record sounds like prime LCD Soundsystem: the same themes but darker and the same sharp wit but with more bite. I don’t know why everyone calls it a comeback album when it’s clear that James Murphy never left the room.

3. Courtney Barnett & Kurt Vile – Lotta Sea Lice

This record is my go-to album for 2017. It always matches the mood. With lots of happy, sad, rocking and laid back bits of quirky wisdom it makes sense that an honest, down to earth record would be the outcome from these slacker-rock indie darlings.

4. The War On Drugs – A Deeper Understanding

This album builds on the high standards set by Lost In A Dream, with the same wash of sound that transports you somewhere else. The mood is higher and the sound bolder, as if to resolve the two records in a celebration of victorious, dirty guitars.

5. Richard Dawson – Peasant

An exciting and strange British freak-folk album from this dude who came out of nowhere. Dawson shows incredible bravery on this medieval Celtic off-key album. It’s dirty with beautiful melodies scattered haphazardly, and the record sticks and stays with you. The weirdest and most groundbreaking album that has chosen me for a while.

6. The Weather Station – The Weather Station

Oh, my kingdom for beautiful Canadian singer-songwriters! This record is classic Folk Gold in the vein of Joni Mitchell, but at the same time is Tamara Lindeman’s confident own voice. With mint production, engaging lyrics and a rolling musical urgency, this is definitely both a vinyl/headphone and crowd-pleaser record.

7. Protomartyr – Relatives in Descent

Finally, a band has risen to take the flame from Nick Cave & The Bad Seeds. Protomartyr are pissed-off and mysterious like a good Goth-inspired Post-Punk band should be. They have great rhythm and pace, with a surprising lulling quality for minor chords and dramatic badassery. Definitely music to watch Trump speeches or have existential crises to.

8. Godspeed You! Black Emperor – Luciferian Towers

A very simplified GY!BE record that hits home and feels very true to now. The album fits in well with their body of work, although it’s by no means an extensive movement of beautiful music. Rather it presents a well-organized progression of rage as grandiose tracks bombard your ears for just under an hour. A cathartic listen.

9. Rostam – Half-Light

An eclectic debut from one half of vampire weekend. The album turns pop song structure around while echoing traditional pop melodies. An inspiring sweet, detailed album from Batmanglij that doesn’t really go anywhere, but that’s entirely ok.

 

10. Bongeziwe Mabandla – Mangaliso

A record that masterfully balances the traditional and new. South African Xhosa music has never sounded this modern or hypnotic, and this album turns sweet world music turned on its head.

That’s it. Special mentions to Bjork, Sza, Josh Ritter and Sylvan Esso. As Vicky would say, “soz lol.”

Best of 2017 Side A

Friends, it’s been a Milestone Year. Middle fingers and lots of changes for the better. A “Big One” (subtext: there’s a post all about it below). Put these songs on repeat, it’s been a hell of a good music year too.

Best Records of 2016 and a Rad Playlist

Whew, 2016. This year of musical loss has been a one where complex records have connected most with me. On the theme of death, David Bowie’s Blackstar, Leonard Cohen’s You Want It Darker and Nick Cave’s Skeleton Tree were the most prophetic. Sometimes they were a little too sad for me, so I return to them in small doses.

At the top of the year I loved Gallant’s great debut, and the rest of it continued with interesting alternative R&B/Pop releases from Rihanna to Frank Ocean. The production on records from Beyoncé, Radiohead, and Bon Iver fascinated me. It seemed perfect for Radiohead to bring out the sonically mature album that A Moon Shaped Pool is, and I reconnected with my once favourite band again on it. My record of the year is Bon Iver’s 22, A Million with its’ intimate tone and constant unraveling. It has a puzzling sense of timing and I kept returning to it, the one album that always had me putting the volume up, no matter how loud it was (I actually just want to inhale this record).

The genre-bending D.D Dumbo doesn’t sound like anything I’ve heard before. It’s organic, wise beyond it’s years and Australian. Pop music is again moving towards a more alternative space where it challenges the boundaries of genre… Except for the good Rock, which went back to basics this year with flame-bearers Car Seat Headrest, Lucy Dacus and Margaret Glaspy. I was fortunate to see Lucy Dacus live and her debut No Burden is a calculated statement of captivating stories, live and on the record. Shrug Rock is now definitely a movement and dammit, it sounds great! Car Seat Headrest’s Teens Of Denial is one of the most badass statement-making Rock ‘n Rolling albums of the decade. Angel Olsen made a deft move from a shy singer-songwriter to time-traveling rocker and LVL UP made the most infectiously noisy lo-fi Indie Rock record. Beyonce, the titan of Pop that she is, used all the genres in her album and got away with it because LEMONADE is a masterpiece.

At the most difficult times I returned to simpler, singer-songwriter records. Chris Staples put out the most reassuring lyrical album with gentle storytelling and humour. whilst Pinegrove’s confessional debut Cardinal is a sing-along record that is as relevant playing in the background when entertaining as it is if you’re crying into your whiskey. Don’t judge me.

There are releases that just didn’t make the top spots or that I need more time with: Mitski, Kyle Craft,Michael Kiwanuka, Wilco, A Tribe Called Quest, King Gizzard & the Lizard Wizard, Frank Ocean, Big Theif and Solange.

1. Bon Iver – 22, A Million

2. Car Seat Headrest – Teens Of Denial

3. D.D Dumbo – Utopia Defeated

4. Lucy Dacus – No Burden

5. Pinegrove – Cardinal

6. Beyoncé – LEMONADE

7. Radiohead – A Moon Shaped Pool

8. Angel Olsen – MY WOMAN

9. Chris Staples – Golden Age

10. LVL UP – Return to Love

I also made two playlists this year of Best Of tracks, or the best of what I’m listening to. You can listen to the first playlist in the previous blog post. The latest playlist is the 2016 Best Songs of the Second Half-Year, which is below. It’s 30 tracks/2 hours of the best songs I’ve found from June/July till now, available on Tidal, Apple Music, iTunes, Google Play and Spotify; and as a best effort (not all tracks) on YouTube, Deezer and Soundcloud.

Looking on the bright side of 2017, I’m thinking of how much great new protest music there will be coming out of the States…

The Best Music of 2015

Like last year, my year has been framed more by songs than full albums. Lyrically it was a magnificent year, and one where so many established greats quietly released new records (Decembrists, My Morning Jacket, Wilco, Low). It was also a rocking year for female vocalists and bands, and my Top 30 Best Songs Playlist reflects that.

1. Sufjan Stevens – Carrie & Lowell

Sufjan Stevens released the most moving record of the year, a devastatingly sad and beautiful return to his singer/songwriter roots. Stevens unpacks issues surrounding mental illness and the reasons his mother abandoned him with ice cold honesty. Becoming a parent opens up all sorts of emotional vulnerabilities and at least for me, seeing this record performed live was a life-changing experience. For further reading you can’t do better than this Pitchfork interview.

2. Courtney Barnett – Sometimes I Sit And Think And Sometimes I Just Sit

Courtney Barnett released the best debut album of 2015, a confident and casual authentic celebration of rock. The raw guitars and basic progressions are the best thing to happen to Garage Rock in a long time. Barnett’s thick Australian accent and direct lyrics encourage the most unlikely singable moments (and my favourite lyric of the year) “I think you’re a joke but I don’t find you very funny.”

3. Ryan Adams – 1989

Ryan Adams’ cover of Taylor Swift’s 1989 is the best guilty pleasure of 2015. When he sings “That’s How You Get The Girl,” he’s really saying how he lost the girl, and much of the album is this kind of antithesis/call and response that plays with Swift’s original. It’s basically the best pop record turned into the best breakup record.

4. Kurt Vile – b’lieve i’m going down

Kurt Vile is the most sophisticated slacker on this list. He ditched his electric guitar for a more mellow sound incorporating piano and banjos. It’s a perfect alluring record that balances fun and soothing in a lazy acoustic fashion.

5. Father John Misty – I Love You, Honeybear
6. Alabama Shakes – Sound & Color
7. Olafur Arnalds & Alice Sarah Ott – The Chopin Project

Father John Misty’s cheeky and wry record was constant positive highlight of the year, filled with love and a healthy dose of cynicism. Alabama Shakes’ second record turned out to be a ballsy swamp-Rock statement that they’re edgy and soulful and ready to experiment. Olafur Arnalds and Alice Sarah Ott released the most inviting Classical Pop album of the year. The simplicity in their approach to Chopin come across as effortless and familiar while the acoustic detail they capture with their instruments is an audio feast.

8. Sleater-Kinney – No City To Love
9. Godspeed You! Black Emperor – Asunder, Sweet And Other Distress
10. Torres – Sprinter

Sleater-Kinney reformed this year to release a tight collection of hooks and melodies. I don’t know their back catalogue but this record starts, goes determinedly forth and conquers in just over 30 badass minutes. The new Godspeed album is the most succinct record of their sound to date, immediately recognisable but more refined. It’s beauty lies in the band favouring a more subtle classical approach rather than their familiar Noise Rock style. Torres released an impressive debut album filled with honest songwriting and raw emotional delivery. She keeps it mature though and along with her minimalist band she created the best Grunge song ever (see playlist).

There are still many of this year’s releases that I’m listening to. I’m not quite into the Wilco yet but I’m a big fan and I’m trying. I’ve just discovered Youth Lagoon and Rhiannon Giddens, both of whom may have made the Top 10. Finally it’s long overdue but I’m also getting into these artist’s records: Natalie Prass, Shamir, Fred Thomas, Joan Shelley, Julia Holter.

Below are the Spotify, Apple Music and iTunes playlist versions of my top 30 Best Songs of 2015. I did sequence them but feel free to hit shuffle if that’s how you roll. Some are from my best albums, most are songs that consistently had me turning up the volume.

Here’s the Apple Music playlist, I’ve just noticed that “Harrison Ford” by Darlingside isn’t available on Apple Music or iTunes but you can listen to it here on YouTube. I’ll add a Youtube playlist next year when all of the songs are available or have videos.

Update: Here’s the Soundsgood player with all the tracks across various platforms.

Best Music Of 2014 (a little more, a little less)

 There are so many firsts for this year. This is the first year that I’ve felt really overwhelmed with the number of albums I didn’t get a chance to listen to. This is the first year with a with a toddler in the house. This is the first year I’m posting a Best Songs playlist (see the end of the post), and in some respects, I feel like I had more time for songs than for albums.

So with that introduction, the 2014 albums that went from a blossoming romance to lifelong partners are:

1. The War On Drugs – Lost In The Dream

2. Angel Olsen – Burn Your Fire For No Witness

3. Ryan Adams – Ryan Adams

These albums got under my skin. Ryan Adams was
the incredible soundtrack to my first trip to the US (where I also saw him live). Angel Olsen’s beautiful voice held my hand while I made some difficult decisions this year. The War On Drugs was my constant companion through my most challenging professional, and most rewarding personal year. I bought all these albums on vinyl.

All the runner-up lovers, in no particular order

• Beck – Morning Phase
• Hozier – Hozier
• Sylvan Esso – Sylvan Esso
• Elbow – The Take Off And Landing Of Everything
• Sturgill Simpson – Metamodern Sounds In Country Music
• Weezer – Everything Will Be All Right in the End
• Sharon Van Etten – Are We There

The nice albums that just didn’t stick

• Jenny Lewis – The Voyager
• First Aid Kit – Stay Gold
• Rosanne Cash – River & the Thread
• Jack White – Lazaretto
• Conor Oberst – Upside Down Mountain

Albums that went over my head

• St. Vincent – St. Vincent
• FKA Twigs – LP1
• Lana Del Rey – Ultraviolence
• Thom Yorke – Tomorrow’s Modern Boxes
• The Black Keys – Turn Blue

Albums I still need to listen to. Some of these may have made THE list, but…toddler

• Lucinda Williams – Down Where the Spirit Meets the Bone
• Swans – To Be Kind
• Sun Kil Moon – Benji
• Luluc – Passerby
• Rodrigo Amarante – Cavalo
• The Antlers – Familiars
• Tweedy – Sukierae
• Hurray for the Riff Raff – Small Town Heroes
• Flying Lotus – You’re Dead
• Alvvays – Alvvays
• Thurston Moore – The Best Day
• Ty Segall – Manipulator
• Leonard Cohen – Popular Problems
• Against Me! – Transgender Dysphoria Blues
• Bruce Springsteen – High Hopes
• Mogwai – Rave Tapes
• Eagulls – Eagulls
• Robert Plant – Lullaby and… The Ceaseless Roar
• The New Pornographers – Brill Bruisers
• Damien Jurado – Brothers And Sisters Of The Eternal Son
• Foxygen – …And Star Power
• The Flaming Lips – With A Little Help From My Fwends

For the rest, here’s my Best Songs of 2014 playlist

I leave you with a 2-hour playlist of my Top 30 Tracks. Technically a Top 29, because GRMLN’s “Of Nothing” isn’t available on YouTube (yes, this is still happening). You can, however, listen to it on Soundcloud: https://soundcloud.com/carparkrecords/07-of-nothing

 

 

A last final note…

The Decemberists snuck in two tracks this year from their forthcoming album (January 2015). I thought it was a little unfair to include it into the top tracks because they’ve just come along, but yeah, this is my new crush…

Late Again: The Best Albums of 2013

I’ll never live it down if I don’t document the best albums of the year that my son was born in, so here goes…

1. David Bowie – The Next Day

2. Nick Cave and The Bad Seeds – Push The Sky Away

3. Vampire Weekend – Modern Vampires of the City

4. Queens Of The Stone Age – …Like Clockwork

Low – The Invisible Way

6. The National – Trouble Will Find Me

7. Daft Punk – Random Access Memories

8. Arcade Fire – Reflektor

9. Neko Case – The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You

10. Dawes – Stories Don’t End

Special mention to Haim and 65daysofstatic for great albums that just didn’t make the top 10.

Better Late Than Never: Best Albums of 2012

1. Godspeed You! Black Emperor – Allelujah! Don’t Bend Ascend 

2. Shearwater – Animal Life

3. Fiona Apple – The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do

4. Leonard Cohen – Old Ideas

5. Tame Impala – Lonerism

6. Richard Hawley – Standing At The Sky’s Edge

7. Animal Collective – Centipede Hz

8. Dry The River – Shallow Bed

9. The Lumineers – The Lumineers

10. Alabama Shakes – Boys & Girls

Special mentions go to Japandroids and Alt-J for almost making the list.

Best Albums of 2011

1. My Morning Jacket – Circuital

2. Wilco – The Whole Love

3. Iron & Wine – Kiss Each Other Clean

4. Fleet Foxes – Helplessness Blues

5. The Black Keys – El Camino

6. Decemberists – The King Is Dead

7. The Antlers – Burst Apart

8. Danger Mouse & Daniele Luppi – Rome

9. TV On The Radio – Nine Types Of Light

10. Lady Gaga – Born This Way

Special mention goes to The Naked And Famous for their debut album Passive Me, Aggressive You. It really is a gem, but it missed the top 10 by a drum beat.

Best Albums of 2010

1. Arcade Fire – The Suburbs

They can’t set a foot wrong, and their third full studio album is full of surprises that continue to set them apart as a serious creative force in music. The Suburbs kicks against the boredom and mediocrity that is middle class whilst experiencing the realisation that the kids in Funeral have become those having kids in The Suburbs. An entire story about where we were and where we’re going is played out in ups and downs of triumphant orchestral arrangements and pumping rhythms. To create such a monumental album (at 16 tracks and 64.07 minutes), Arcade Fire rocket directly to the #1 spot.

2. Broken Bells – Broken Bells

Danger Mouse and James Mercer from The Shins teamed up on a project that resulted in so much more than the sum of its parts. Broken Bells is a sublime, sorrowful, graceful and victorious album. Both changed their approach when working on this album: Danger Mouse laid off the heavy sampling and kept it simple, and James Mercer extended his vocals far beyond what he’d previously done with The Shins. It’s not often that you find brilliant music that everyone from your friends to your mom loves, but at the same time has immense depth and subtlety when you listen to it alone.

3. The Black Keys – Brothers

Brothers is an instant hit album, grabbing your rock ‘n roll heart and exposing it to a bleeding blues guitar, drumming that shakes your bones, restrained vocals that pull at your nerves and so much soul it hurts. Most of the original tracks and the cover of the Motown classic “Never Gonna Give You Up” cry like pure, undiscovered gold. Brothers is a squarely a roots album that’s so loose, dirty and crafted, it turns out to be the coolest listening pleasure possible.

4. Sufjan Stevens – The Age of Adz

The Age of Adz departs from the gentle settings of Steven’s previous albums, diving headlong into a Radiohead-esque sea of electronic sounds. It’s a far cry from everything else he’s done, and that’s precisely what makes this album remarkable. Instead of weaving stories on the strength of his lyrics, this album basks in the liberation of crashing drums and humming synths, woven together with his hallmark gift of melodic arrangement. The Age of Adz will take many listens for you to get in to and wouldn’t sound out of place as a sci-fi soundtrack, but may be Sufjan Stevens’ best work yet. Given more listening time on my behalf (I just got the album the other day) this weird and exceptional album may have climbed further up on this list.

5. Mumford & Sons – Sigh No More

This British indie-folk group have made an album that sounds like heartache with syrup on an overcast day. Banjos and big acoustic moments lead up to sweet harmonies and down-to-earth impassioned pleas, with the odd a cappella thrown in there with wonderous colour. All in all a perfect blend of British and American folk that rises up to slay the dragon of pretentious grey indie British music.

6. MGMT – Congratulations

What impresses me most about this band is that they’re so committed to their sound, it seems like they’re oblivious to what people think of their music. That’s a good thing for cred, but not always for an album. Congratulations follows in the synth-pop psychedelic vein of Oracular Spectacular, but morphs into whole clouds of other songs within songs, making it not quite as accessible as their previous album, but a brilliant and hazy musical journey worth tripping to on a regular basis.

7. Danger Mouse & Sparklehorse – Dark Night Of The Soul

This side project between Danger Mouse and Mark Linkous (Sparklehorse) is the most underrated album of the year. Dark Night Of The Soul features an all-star list of guest artists, and the album is as beautiful and twisted as the story surrounding it’s release. To cut it short, Danger Mouse’s record company weren’t happy with the royalty split so the album was shelved. After leaking online and both Mark Linkous and Vic Chesnutt committing suicide, it was finally released. Even with so many different voices on the album (Wayne Coyne of Flaming Lips, Jason Lytle of Grandaddy, Frank Black of The Pixies, Suzanne Vega, Nina Person of The Cardigans) the sound is homogeneous and beautifully elegant.

8. Best Coast – Crazy For You

Lead singer Bethany Cosentino’s voice has the same rich, honey-like quality as Neko Case’s singing, but instead of Americana or Country influences pulling the music together, Best Coast put out carefree surf-rock tunes with a touch of indie charm. This is the sound of a lazy summer afternoon at the beach, young infatuated love and ice cream. It’s a short album, but the songs are so stripped down, simple and sunny that this album is instantly likable.

9. The Dead Weather – Sea Of Cowards

This should have been The Dead Weather’s debut album instead of their second studio album, since it completely sets the band apart from Jack White’s other projects. Alison Mosshart and Jack White compete on vocals to the extent that you can’t always tell who is singing, turning Sea Of Cowards into a balls-to-the-wall revenge Rock album with careless swagger and discordant guitars. It’s the picture of booze and dirty sex in a graphic novel: utterly extravagant, enticing and an overindulgent ‘fuck you’ that leaves you wanting to join in on the fun.

10. The National – High Violet

High Violet is a difficult album to write about, and I know that everything I write will come out sounding wrong. It defies being categorised. It’s melancholic, but not sad. It’s introspective, but not paranoid. It’s serious, but not grandiose. Mostly, this album is a friend and companion, like someone who has your back and understands how you feel. When I was busy doing other things this year, The National quietly made an album that crept into my heart and stayed there.

In other news, Kanye West made a few #1 spots, but I’ve listened to his album it’s okay. The man is a great producer and his lyrics are clever, but he shouldn’t rap. He’s probably gotten all this attention because of the wide range of songs he’s sampled that lie outside the normal pool where hip-hop draws inspiration from (everyone from King Chrimson to Gene Clarke & Rodger McGuinn from The Byrds) as well as the variety of people who appear on the album (Justin Vernon from Bon Iver, La Roux, Elton John, and the usual hot-at-the-moment hip-hop crowd that always collaborate on each other’s albums). With that being said, Danger Mouse features twice on the list above, and can probably kick Kanye’s ass in a studio.

Unfortunately I didn’t get around to the new full albums of Deer Tick, Neil Young, Grinderman, Rogue Wave and a few others, but I will, and if they rock I’ll write about them. But for now, this top 10 is a list of albums you really, really should be listening to. It’s been a great year for music.